Guess it’s Disney Day again.
I’m trying to write a thing about portrayals of animals and nature in animated films – specifically Finding Nemo and The Lion King – since Andrew Stanton gave that interview saying his reaction to the “circle of life” philosophy in Le Roi Lion was a major influence to how nature is portrayed in Trouver Nemo. I keep getting stuck, mostly because how I feel about those portrayals is tied up in how I feel about how society perceives nature in general and then I go off on huge barely-related tangents about humpback whales and I think it’s going to turn into a massive manifesto.
So for now I wrote this thing about Louis and Pascal and how they do somewhat unethical things so that their princesses can achieve their dreams without moral ensulliment. Mmhm.
Recent Disney princesses have occasionally relied on reptilian enforcement for maximum dream achievement. Let’s discuss.
Louis is the definition of non-threatening. He shows up right after truly threatening gators attack our frog heroes, but all he wants is to play his trumpet in accompaniment to Naveen’s spider webbed-branch. Actually, all he wants is to play among the great (and human) jazz musicians on the riverboats. So Louis is both non-threatening and Ariel.
“Oh I tried once.” That part is probably the funniest thing in the movie. Tiana’s “And we talk, too,” is also good, but that’s not the point.
Louis asks Mama Odie to give him a human body so that he can safely jam with the big boys, but she apparently isn’t one for simple, straight-up magical transformation and tells him he just needs to find what he needs. Which ends up simply being that he needs to be friends with some powerful and influential people who own a restaurant by the end of the film, because as we see during the finale, Tiana lets him play for her patrons.
But to get to this point, first we need non-threatening Louis to be a true American Murder Log.
You’re better off where you’re at.
The Fenner brothers probably weren’t supposed to accept another offer after agreeing to sell to Tiana, but since she hadn’t signed the papers yet it wasn’t technically illegal. I like this because it’s a lot more realistic than having them just be outright evil schemers denying Tiana her dream property. They’re just not good people, even though what they’re doing is within the law.
I mean, the above is clearly a death threat though. I’m fine with it (sometimes you have to force people to not do terrible things), but, it’s a death threat. Damn, Disney.
I’ve been to Florida many times and I’ve never seen an alligator in the wild. I’m mostly OK with that, because if I happen to meet one and it decides to eat me then I think I’m eaten. But it would be interesting to see one from a safe distance. They are the living dinosaurs, after all (I mean so are birds but we’re not ready as a culture to accept feathered dinosaurs yet so whatever).
I’m grateful for Princess and the Frog’s portrayal of alligators. Louis is genuinely lovable, and gators don’t get enough appreciation, which is a shame. I personally find it hard to appreciate them because they’re dangerous and they eat animals I like better than them, but despite all of that, when I found a lovely shop display of decapitated baby alligator heads in multiple souvenir shops in Florida, I was unimpressed. To say the least. When we allow ourselves to project evil onto an animal just because it’s deadly and doesn’t make cute facial expressions, we end up allowing the worst kinds of exploitation. From the footage I’ve seen, snakes and alligators in the skins industry and sharks in the fin industry are treated with excessive cruelty, and it’s almost as though the people doing it think they’re obligated to harm them with such spite because of how hated they are by random facets of human society.
Anyway that’s depressing, but the point is, I’m always up for a beautiful Disney movie creating a lovable character out of an animal that is hated and misunderstood in real life. Threatening sleazy real estate agents with death and all.
Now play Dippermouth Blues.
… Pascal commits actual murder.